Des Buttes et de la Sculpture

Small fire/Le petit feu

A work in progress and interactive sound work. A pile of statuettes piled up meticulously on top of each other, artefacts made, inspired by historical models from several cultures, some disguised by figures of people close for the artist, some drawn from sketchbooks, some completely exploded during the cooking process; as the spectator approaches, a whispering voice arises, a barely audible dialogue, difficult to understand. The work, fueled by modeled statuettes cooked at a slow fire, questions our relationship with the world. Voice: Dialogue between Éliane Kistabish and Joanne Poitras. Note: The mound of statuettes grows with each cooking, year after year. 

Wild Flower Buds

Since the 2000s, Joanne Poitras has been working on a series of lithographs. The subject of each of these works is a wildflower, in bud, which grows in the fields and forests here. The blooming flower draws our eye to it but it is the flower bud that interests the artist. At this time of its growth, in its folds of petals that serve as a protective shield, the flower is creating a future. This form interests me. The flower builds what it will be tomorrow.  To draw more attention to this life that often develops without our knowledge, the artist represents these flower buds in a monumental form.

Fenêtres sur le village/Windows On The Village (sculpture)

Mound formed of charred residues from the church of Saint-Eugène-de-Guigues in Temiscamingue destroyed by the flames in 2014. The artefacts recovered are lacquered. In the days following the fire and with the agreement of the local authorities, the site was photographed, filmed and the remains of the destroyed building were collected. These artifacts seek to heal/think the imaginary. The work wants to bring the public to dream the territory.  A video projection overhangs the hill and presents a square of blue sky dotted with clouds. 

Comme le vent force fragile/As the wind brittle force (sculpture)

Mound composed of several hundred cattails picked, dried and processed, dotted, dipped in coffee powder and varnished. The whole is assembled and mounted in the form of cupola. Truncated and idealized representation of the idea of nature.